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Here are some sound clips of
our amps. These are made by our user/clients themselves, and
posted on Youtube and personal clips. We hope these will give some ideas on the
capabilities of our amps.
British Style
18 Watt
1)
Clip A ( Posted By Jasonguitar73 on YouTube)
2)
Clip B (Posted by thetoneking on YouTube)
3)
Clip C (Posted by cabbage609 on YouTube)
18W TMB
1)
Clip A (posted by
call1800ksmyazz
on YouTube)
2)
Clip B (posted by call1800ksmyazz on YouTube)
3)
Clip C (posted by JC Moretta on YouTube)
4)
Clip D (posted by Filippo on YouTube)
5)
Clip E (posted by Laurent Lapierre on YouTube)
18W TMB EF86
1)
Clip A (posted by Art Faccio)
2)
Clip B (posted by Ashley Young on YouTube) - with 2006
Gibson SG plugged direct to TMB channel, all tones midway
and volume cranked
20W Lead & Bass\
1)Clip
A (posted by Johan Strohmeier on YouTube)
2)
Clip B (posted by Johan Strohmeier on YouTube)
36 Watt
1)
Clip A ( posted by pel666 on YouTube) - Pel Custom Kramer
with Nady-TD1 stompbox on Ceriatone 36 Watt
2)
Clip B ( posted by pel666 on YouTube) - Custom LesPel with
Nady-TD1 stompbox on Ceriatone 36 Watt
3)
Clip C ( posted by pel666 on YouTube) - Custom LesPel with
the 'Big Muff pi' on Ceriatone 36 Watt
4)
Clip D ( posted by pel666 on YouTube) - more 36 watt clips
5)
Clip E (posted by Shane)
36 Watt EF86
1)
Clip A (posted by Michael Drobnik) - Customs Shop Strat in
EF86 Channel, with some Cubase reverb added in
JTM45
1)
Clip A (posted by ToneSnobs on YouTube)
2)
Clip B (posted by Jason Baker of ToneSnobs)
3)
Clip
C (posted by ranaboogie on YouTube)
4) Clip D (posted by Alan Bridges - clean mastered)
5) Clip E (posted by Alan Bridges - heavy long demo
mastered)
6) Clip F (posted by Alan Bridges - mid gain mastered)
7)
Clip G (posted by Niels Vervloet on YouTube)
JCM 800 2204 HW
1)
Clip A (posted by Derek Brock on YouTube)
2)
Clip B (posted by Derek Brock on YouTube)
3)
Clip C (posted by Derek Brock on YouTube)
4)
Clip D (posted by Mike Newman on YouTube)
Plexi50 1987 Lead
1)
Clip A (posted by Bobby Smith of Grosh Guitars on YouTube)
2)
Clip B (posted by Kent Masias @ TIMBERMIKO on YouTube)
3)
Clip C (posted by DDGUITAR on YouTube)
4)
Clip
D (posted by DDGUITAR on YouTube)
5)
Clip E (posted by Kent Masias on MySpace)
6)
Clip F (posted by Kent Masias on YouTube)
7)
Clip G (posted by Connor on YouTube)
Plexi50 1986 Bass
1)
Clip A (posted by leetamm on YouTube)
2)
Clip B (posted by vadlasletta on YouTube)
3)
Clip C (posted by leetamm on YouTube)
4)
Clip D (posted by Guiseppe Raffa on YouTube)
5)
Clip E (posted by Guiseppe Raffa on YouTube)
Settings:
Presence : Cranked, Bass: 0, Middle: 3 o' clock, Treble:
near cranked, Bright volume: Cranked Cusack Screamer
settings: Level: cranked, Tone: 4 o' clock, Drive: 10
o'clock Guitar has a Seymour Dincan JB and I use it in the
position splitted with the middle single coil, I discovered
that I get a much better clearer chunky tone. The Ultimate
attenuator is setted at 4 o' clock so near cranked. Delay is
added by Cubase.
6)
Clip F (posted by Joe DiFonzo)
7)
Clip G (posted by Joe DiFonzo)
Settings for clip
F&G: Presence-4, Bass-3, Mids-6, Treble-5, Vol 1 (high
treble)-2, Master Volume-2. Recorded with Analogman KOT
Overdrive. Speaker: Reinhardt R30h-lc, Mic: SM57
2550
1)
Clip A (posted by Greg Berglund)
Settings:-
Presence 5; Bass 7; Middle 3; Treble 4; Output master 2;
Lead master 6; Input gain 6.
The rhythm guitar
is recorded from the clean channel with no effects. The lead
guitar is recorded from the lead channel with a little delay
added. Both of these parts were recorded with a condenser
mic in front of a Celestion greenback speaker.
2)
Clip B (posted by Mike Newman on YouTube)
Settings:
Presence 8; Bass 8; Mid 5; Treble 8; Master volume 4; Lead
volume 7; Gain 11
Recorded mostly on lead channel through Marshall cab with
Celestion G12H30 speakers.
3)
Clip C (posted by Alex Bolte on YouTube)
4)
Clip D (posted by Alex Bolte on YouTube)
5)
Clip E (posted by Greg Berglund)
6)
Clip F (posted by Alex Bolte on YouTube)
7)
Clip G (posted by Satio Braskoro)
Settings:
Recorded into Shure 57 dry. Half power is engaged. Light
delay added after it was recorded. The guitar is LP with
EMG81 and 85. No OD pedal is used before chorus. However, a
SD-1 is used after chorus.
8)
Clip H (posted by Satio Braskoro)
Settings: Recorded into shure 57 and used Marshall 1922 cab.
Used a SD-1 in front of the amp. In the effect loop, I
employed TC Electronic G-force for noise reduction and eq. I
also employed a BBE sonic maximizer 362 in the effect loop
after the G-force. The guitar is LP with EMG81 and 85.
Recorded at bedroom levels.
2555
1)
Clip A (posted by Rick McMahan on YouTube)
American Classics
5E3 Tweed
Deluxe
1)
Clip A (posted by palmiuga on YouTube)
2)
Clip B (posted by palmiuga on YouTube)
3)
Clip C (posted
by Shaun Bayles)
5X3 Big Deluxe
1)
Clip A (posted by Mirc Cinku on Youtube)
2)
Clip B (posted by Brian Thompson on YouTube)
BF Champ
1)
Clip A
(posted by Shaun Bayles)
BF Vibro Champ
1)
Clip A (posted by Tim Dutton)
5E8A Tweed Twin
1) Clip A (posted by Tristan Barr)
2) Clip B (posted by Tristan Barr)
Settings: Clip B Effect used: MXR Carbon Copy, MI Audio Tube Zone and
home made reverb using Belton Medium Spring Digital Reverb
Unit
3)
Clip C (posted by Peter Marechal)
Settings: Used 2 mics; one a SM57 close and a ribbon set
back about 3 feet with a baffle behind it. Both the amps
were at 1/2 power the Tweed with the 1/2 power switch and
the Plexi with a Weber Mass lll attenuator. The guitar (stratocaster)
was going through 2 pedals a Keeley Java Boost and a Damage
Control Liquid Blues tube preamp. My DAW is Logic with
Izotope 4 and Alloy for mastering. The instruments have a
little reverb on them and stereo spread but flat EQ and no
other effects.
5F4 Super Amp
1)
Clip A (posted by Paolo Paganelli)
2)
Clip B (posted by Paolo Paganelli)
3)
Clip
C (posted by Paolo Paganelli)
Champ Ultra
1)
Clip A (posted by Richard on Youtube)
PrinzeTone
1)
Clip A (posted by Paolo)
Settings: Used gretsch reverend horton heat model, tweed switch on for the
rockabilly thing, with a touch of carbon copy delay.
Everything is recorded with a shure sm 57 into a protools LE
mbox mini, no plug ins or any other stuff. Just straight.
2)
Clip B (Posted By Mirc Cinku
on YouTube)
Muchle$$
Lightning
1)
Clip A
(posted by Simon Mawer)
Dizzy 30
1)
Clip A (posted by
byusnowboarder
on YouTube)
2)
Clip B (posted by vadlasletta on YouTube)
3)
Clip C (posted by byusnowboarder on YouTube)
4)
Clip D (posted by byusnowboarder on YouTube)
5)
Clip E (posted by Shaun Bayles - PRS Country Lick)
6)
Clip F (posted by Shaun Bayles - PRS Riff)
7)
Clip G (posted by Shaun Bayles - Strat Blues Lick)
8)
Clip H (posted by Shaun Bayles - Strat Funk Riff)
9)
Clip
I (posted by Walter Saborio - Clean Bridge)
10)
Clip J (posted by Walter Saborio - Bridge Half)
Note:
The clip was done by combining Ceriatone's DC30 and the
DS1/PRO Analogman distortion
11)
Clip
K (posted by Walter Saborio - Neck Half)
Note: The clip
was done by combining Ceriatone's DC30 and the DS1/PRO
Analogman distortion
12)
Clip L
(posted by Tim Dutton) - DC30 EF86
Settings:
This one was recorded into a beta57 dry, guitar straight
into clean channel. Bass on 6, Treble on 4, Volume on
7 with master engaged on 1. Master bypassed. Half power engaged. Delay and
comp added after it was recorded.
Guitar is a Tele with ToneRider pups.
13)
Clip M
(posted by Tim Dutton)
Settings:
This one was recorded into a beta57 dry, guitar straight
into clean channel. Bass on 6, Treble on 4, Volume lucky to
be at 1. Master bypassed. Half power engaged. Delay and
comp added after it was recorded.
Guitar is a Tele with ToneRider pups.
14)
Clip N
(posted by Tim Dutton)
Settings:
This one was recorded into a beta57 dry, guitar straight
into clean channel with a TubeZone pedal. Bass on 6, Treble on 4, Volume lucky to
be at 1. Master bypassed. Half power engaged. Delay and
comp added after it was recorded.
Guitar is a Tele with ToneRider pups.
15)
Clip
O
(posted by Tim Dutton) - DC30 EF86 with a tube
screamer
16)
Clip
P
(posted by littledarkedge on YouTube)
17)
Clip
Q
(posted by Tim Dutton on YouTube)
18)
Clip R (posted by Tim Dutton on YouTube)
19)
Clip S (posted by Tim Dutton on YouTube)
20)
Clip T (posted by Tim Dutton on YouTube)
21)
Clip U (posted by Tim Dutton on ceriatoneforum.com)
22)
Clip V (posted by Shaun Bayles on YouTube)
23)
Clip W (posted by Tim Dutton on YouTube)
24)
Clip X (posted by Tim Dutton on YouTube)
25)
Clip Y (posted by Tim Dutton on YouTube)
26)
Clip Z (posted by Mike Baldwin on YouTube)
TW Clones
Expression
1) Clip A (posted by Andy Baylor on YouTube)
2)
Clip B (posted by Andy Baylor on YouTube)
3)
Clip
C (posted by nsriley on YouTube)
4)
Clip
D (posted by Andy Baylor on YouTube)
5)
Clip E (posted by Derek Bunting on YouTube)
6)
Clip F "Cleans" (posted by Pete Donohue on YouTube)
7)
Clip G (posted by Derek Bunting on YouTube)
LiverPull
1)
Clip A (posted by Akgun, recorded by Erkan Yasemin, guitar:
Ibanez, no effects, custom 2x12 cabinet with Weber speakers)
2)
Clip B (posted by Akgun, recorded by Erkan Yasemin,
guitar: Ibanez, no effects, custom 2x12 cabinet with Weber
speakers, post production EQ)
3)
Clip C (posted by Kaapa)
4)
Clip D (posted by Kaapa)
5)
Clip E (posted by Kaapa)
6)
Clip F (posted by Kaapa)
7)
Clip G (posted by Kaapa)
8)
Clip H (posted by Kaapa)
9)
Clip I (posted by Kaapa)
Rock
It!
1)
Clip A (posted by Sami Marttila on YouTube
Settings
: Strato --> ROCK IT! --> THD HotPlate -12db --> Celestion
G12H (Heritage))
2)
Clip B (posted by Sami Marttila on YouTube - Les Paul riff
noodling)
CeriaTone
Overtone Special
1)
Clip A (posted by Sami Marttila)
Settings: Gibson R8 (bridge pickup) --> overtone--> 2x12 open
back cab, with G1265--> Sennheiser MD421 --> Mbox mini,
(inside overdrive trimmer is about 10 o'clock) ,Overtone
settings---> Vol = 5, Bright = off, Deep = off .... 1:20 =
ON, Jazz/Rock = Rock, Treble = 5, Middle = 5, Bass= 5,
Level= 5, Ratio= 5, Master= 2,5 , Presence= 3
2)
Clip B (posted by Sami Marttila on YouTube)
3)
Marinblues Channel over at Youtube (19 Overtone Soundclips
and counting)
5)
Clip
C posted by Marin Debelic - Overtone Clean Channel
4) Clip D (posted by Greg Berglund) -
a touch
of reverb and delay added, this clip features the same
guitar playing 8 bars of a clean sound, then the next 8 bars
with the overdrive on
5)
Clip E (posted by Greg Berglund) -
Overtone Special FET channel using acoustic-electric guitar.
With Sunrise pickups
6)
Clip F - Dr Ika's Moded Overtone Special (Red House
Blues, starts with clean channel + gain boost) -
http://www.guitarampcab.com/overtone.html
7)
Clip G - Dr Ika's Moded Overtone Special (City Groove)
-
http://www.guitarampcab.com/overtone.html
8)
Clip H - Dr Ika's Moded Overtone Special (Funkey)
9)
Clip I - Dr Ika's Moded Overtone Special (Clean Neck Pick
Up)
10)
Clip J - Dr Ika's Moded Overtone Special (Clean Bridge Pick
Up)
11)
Clip K - Dr Ika's Moded Overtone Special (Clean Rhythms)
12)
Clip L - Dr Ika's Moded Overtone Special (Drive Neck Pick
Up)
13)
Clip M - Dr Ika's Moded Overtone Special (Drive Bridge Pick
Up)
14)
Clip
N - Dr Ika's Moded Overtone Special (Drive + Boost)
15)
Clip O -
Jean-François Marinnace (ES335 + Overtone Special 100 Lead
Channel with Boost+ HP Celestion G12 65 Heritage. Recording:
SM58 On EMU Card with Logic Audio)
16)
Clip P - (posted by Rene Frederiksen)
17)
Clip Q (posted by Erwin Verdurmen on YouTube)
18)
Clip R (posted by Herbert on YouTube)
19)
Clip S (posted by Mihai Tarta on YouTube) - Everything is
Ceriatone OTS with Orange ppc 2x12 cab(v30) on dirty + Trex
Alberta here and there, except solo is Marshall Superlead
20)
Clip T (posted by Dr Ika on YouTube)
21)
Clip U (posted by Herbert Puschel on YouTube)
22)
Clip V - Dr Ika's Moded Overtone Special
23)
Clip W (posted by Einar Gronbekk on YouTube)
Settings: Here I'm
playing over a Michael Brecker backing. It's the improve
part in straphangin'. I'm using my Epiphone Joe Pass into
the barber tone press compressor, and the into my Ceriatone
OTS with a delay in the loop.
24)
Clip X (posted by Andy Gardiner on YouTube)
25)
Clip Y (posted by Thomas Ferolito)
Overtone S&M Special
1)
Clip A (posted by Vaibhav Mittal on YouTube)
Overtone
HRM
1)
Playlist by Jun posted on YouTube
2)
Playlist by Danny Christoffel posted on Youtube
3)
Clip A (posted by Alex Bolte on YouTube)
4)
Clip B - Danny Christoffel
Settings:
first knob on the left
volume is at 7 pulled out, Deep is on, Mid boost off (
footswitch green led is on ) , Jazz switch activated, Treble
7, Mid 4, Bass 3, drive 5, drive level 1,5 this is the tweak
knob to touch the sound you wann feel/play on the leads,
Master 3, presence 7, OD at the back about 14.00 hours / 2a
clock, guitar - Blade Texas standard pro 9
5)
Clip C - Danny Christoffel
Settings:
first
knob on the left volume is at 7 pulled out, Deep is on, Mid
boost off ( footswitch green led is on ) , Jazz switch
activated, Treble 7, Mid 4, Bass 3, drive 5, drive level 1,5
this is the tweak knob to touch the sound you wann feel/play
on the leads, Master 3, presence 7, OD at the back about
14.00 hours / 2a clock, guitar - Blade Texas standard pro 9,
mid switch on but the delay unit is a bit lower output
6)
Clip D (posted by Cedric on YouTube) - Clean with Strat
7)
Clip E (posted by Cedric on YouTube) - Dirty with LP
8)
Clip F -Tony Girardot
Settings: HRM50 with Resistor/Choke
Switch Mode, Settings :
Gibson SG into the HI input,
Deep up, mid boost, rock setting, treble about 12 o'clock,
mid the same, bass quarter to, Overdrive almost max, OD
level on 6. Choke setting. Rear panel OD control at 12
o'clock. Into 4x12 vintage marshall cab
Overtone HRM Bluesmaster
1)
Clip A (posted by GDClarkProject on YouTube)
2)
Clip B (posted by Mirc Cinku on YouTube)
3)
Clip C (posted by Mirc Cinku on YouTube)
4)
Clip D (posted by Mirc Cinku on YouTube)
Overtone HRM100
1)
Clip A (posted by Justin Driver on YouTube)
2)
Clip B (posted by Justin Driver on YouTube)
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